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This article is about folk rock in general, especially American folk rock. For British folk rock in particular, see British♠ folk rock
Folk rock is a genre of rock music with heavy influences from English folk and American folk music.[1] Combining♠ the elements of folk and rock music, it arose in the United States, Canada, and the United Kingdom in the♠ mid-1960s.[2][3] In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several♠ of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire,♠ adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term♠ "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music.
The commercial success♠ of the Byrds' cover version of Dylan's "Mr. Tambourine Man" and their debut album of the same name, along with♠ Dylan's own recordings with rock instrumentation—on the albums Bringing It All Back Home (1965), Highway 61 Revisited (1965), and Blonde♠ on Blonde (1966)—encouraged other folk acts, such as Simon & Garfunkel, to use electric backing on their records and new♠ groups, such as Buffalo Springfield, to form. Dylan's controversial appearance at the Newport Folk Festival on 25 July 1965, where♠ he was backed by an electric band, was also a pivotal moment in the development of the genre.
During the late♠ 1960s in Britain and Europe, a distinct, eclectic British folk rock style was created by Pentangle, Fairport Convention and Alan♠ Stivell. Inspired by British psychedelic folk and the North American style of folk rock, British folk rock bands began to♠ incorporate elements of traditional British folk music into their repertoire, leading to other variants, including the overtly English folk rock♠ of the Albion Band and Celtic rock.
Definition and etymology [ edit ]
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For the Martin Solveig song, see All Stars (song)
"All Star" is a song by the American rock band Smash Mouth⭕️ from their second studio album, Astro Lounge (1999). Written by Greg Camp and produced by Eric Valentine, the song was⭕️ released on May 4, 1999, as the first single from Astro Lounge. The song was one of the last tracks⭕️ to be written for Astro Lounge, after the band's record label Interscope requested more songs that could be released as⭕️ singles. In writing it, Camp drew musical influence from contemporary music by artists like Sugar Ray and Third Eye Blind,⭕️ and sought out to create an "anthem" for outcasts. In contrast to the more ska punk style of Smash Mouth's⭕️ debut album Fush Yu Mang (1997), the song features a more radio-friendly style.
The song received generally positive reviews from music⭕️ critics, who praised its musical progression from Fush Yu Mang as well as its catchy tone. It was nominated for⭕️ the Best Pop Performance by a Duo or Group with Vocals at the 42nd Annual Grammy Awards. Subsequent reviews from⭕️ critics have regarded "All Star" favorably, with some ranking it as one of the best songs of 1999. The song⭕️ charted around the world, ranking in the top 10 of the charts in Australia, Canada, and on the Billboard Hot⭕️ 100, while topping the Billboard Adult Top 40 and Mainstream Top 40 charts.
The song's accompanying music video features characters from⭕️ the superhero film Mystery Men (1999), which itself prominently featured "All Star". The song became ubiquitous in popular culture following⭕️ multiple appearances in films, most notably in Mystery Men, Digimon: The Movie and DreamWorks Animation's 2001 film Shrek. It received⭕️ renewed popularity in the 2010s as an internet meme and has ranked as one of the most-streamed rock songs from⭕️ 2024 to 2024 in the United States.
Background and recording [ edit ]
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