Camila é uma banda pop mexicana formadoapostas internet caixaapostas internet caixa 2005, por Mario Domm (vocalista, produtor e compositor), Pablo Hurtado (guitarrista)🍏 e Samuel "Samo" Parra (vocalista). Já lançaram dois álbum Todo Cambió e Dejarte de Amar, que já ultrapassaram mais de🍏 780.000 cópias mundialmente. Suas músicas, que seguem um estilo romântico, são caracterizadas por um ritmo forte e empolgante.
Em 2010 lançaram🍏 o disco Dejarte de Amar bem recebido pela critica e pelo publico. O álbum vendeu mais de 400 mil cópias🍏 apenas no México e foi o mais vendido de 2010.
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Lançamento: 9 de🍏 fevereiro de 2010
Prêmios e indicações [ editar | editar código-fonte ]
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This article is about folk rock in general, especially American folk rock. For British folk rock in particular, see British⚾️ folk rock
At roughly the same time as these "collegiate folk" vocal groups came to national prominence, a second group of⚾️ urban folk revivalists, influenced by the music and guitar picking styles of folk and blues artist such as Woody Guthrie,⚾️ Lead Belly, Brownie McGhee, and Josh White, also came to the fore.[16] Many of these urban revivalists were influenced by⚾️ recordings of traditional American music from the 1920s and 1930s, which had been reissued by Folkways Records; Harry Smith's Anthology⚾️ of American Folk Music was particularly influential.[16][17] While this urban folk revival flourished in many cities, New York City, with⚾️ its burgeoning Greenwich Village coffeehouse scene and population of topical folk singers, was widely regarded as the centre of the⚾️ movement.[16][18] Out of this fertile environment came such folk-protest luminaries as Bob Dylan, Tom Paxton, Phil Ochs, and Peter, Paul⚾️ and Mary, many of whom would transition into folk rock performers as the 1960s progressed.[16]
Music critic Richie Unterberger has noted⚾️ that the commercial success of the Byrds' cover version of Dylan's "Mr. Tambourine Man", along with Dylan's own contributions to⚾️ the genre on the albums Bringing It All Back Home, Highway 61 Revisited, and Blonde on Blonde, initiated an explosion⚾️ of emulators and imitators.[8][62] Their success led record producer Tom Wilson to add electric guitar, bass, and drums overdubs to⚾️ "The Sounds of Silence", a song which had been recorded by the folk duo Simon & Garfunkel in 1964 and⚾️ first released on their album Wednesday Morning, 3 A.M.. The reissued single rose to number 1 on the Billboard pop⚾️ chart in late 1965, became a hit around the world, and set the duo on one of the most successful⚾️ careers in pop and rock music. Simon and Garfunkel have been described as "folk-rock's greatest duo, and one whose fame⚾️ and influence would persist well beyond folk-rock's heyday."[106]
Much of the early folk-rock music emerged during a time of general global⚾️ upheaval, the Vietnam War, and new concerns for the world by young people. In the United States, the heyday of⚾️ folk rock was arguably between the mid-sixties and the mid-seventies, when it aligned itself with the hippie movement and became⚾️ an important medium for expressing radical ideas. Cities such as San Francisco, Denver, New York City and Phoenix became centers⚾️ for the folk rock culture, playing on their central locations among the original folk circuits. The "unplugged" and simplified sound⚾️ of the music reflected the genre's connection to a critical view of a technological and consumerist society. Unlike pop music's⚾️ escapist lyrics, arguably a fantasy distraction from the problems in life, folk artists attempted to communicate concerns for peace, global⚾️ awareness, and other touchstones of the era. Bands whose music was significantly folk rock in sound during the mid-to-late 1960s⚾️ included Donovan, the Lovin' Spoonful, the Mamas & the Papas, the Youngbloods, Love, and, in their early years, Jefferson Airplane.
The⚾️ earliest folk metal bands were Skyclad from England, Cruachan from Ireland and Mago de Oz from Spain. Skyclad's debut album⚾️ The Wayward Sons of Mother Earth was released in 1991 and would be considered a thrash metal album with some⚾️ folk influences, unlike Cruachan's early work which embraced the folk element as a defining part of their sound. It was⚾️ not until 1994 and 1995 that other early contributors in the genre began to emerge from different regions of Europe⚾️ and beyond. Among these early groups, the German band Subway to Sally spearheaded a different regional variation that over time⚾️ became known as medieval metal. Despite their contributions, folk metal remained little known with few representatives during the 1990s. It⚾️ was not until the early 2000s when the genre exploded into prominence, particularly in Finland with the efforts of such⚾️ groups as Finntroll, Ensiferum, Korpiklaani, Turisas, and Moonsorrow.
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